普瑞琴】【白癜风治疗王根会】【宁波东睦新材料】【雪朵儿】【濠江猎艳团】【小媳妇购物车】【好千度】【张shell】【绝色屋】【锋哲科技】【小提琴汽车座套】【一心一意礼品导购平台】【热砂保护协会在哪】【金陵十三钗txt】【携程花30亿抱大腿】【律政强人百度云】【弥秋女】【dnf莫小囧】【基尔尤恩】【最好的我们19】【少将的禁忌爱人】【侍从官之发在哪】【异界厨王】【塔什瑞尔领主】【真功夫ekp】【yy6080白屏】【活力影院错嫁】【就差钱带字幕的】【爱在那一天票房】【象棋王2】【tmh通信兵】【闪亮的废品】【穿越时空之生死恋txt】【三世修仙路】【毛新宇挖鼻孔】【爱着你却伤了她dj】【假面骑士之帝王的诞生】【唐禹哲imback

赢三张旧版

土豪赢三张旧版

【The Journal of Aesthetic Education】MATTEO RAVASIO:Appearance Emotionalism in Music: Analysis and Criticism

来源:The Journal of Aesthetic Education,Vol. 53, No. 3 (Fall 2019), pp. 93-105   作者:   时间:2019-09-26

Abstract

This paper is composed of two related parts. The first raises questions regarding the characterization of the phenomenology of music listening required by Davies's theory of musical expressiveness, appearance emotionalism. I will identify two possible readings of the theory, a thick and a thin one, and claim that the former represents the basic characterization of what it is to hear expressive music according to appearance emotionalism. The thick characterization is to be preferred, I will claim, both on the grounds of textual evidence and of overall consistency and explanatory power. The second part of the paper discusses a criticism of appearance emotionalism I advanced in a recently published paper, along with its consequences for aesthetic education. In the remainder of the paper, I address Davies's twofold reply to my objection. I contend that both replies fail to address at least some of the problems I raised. The first reply fails because of Davies's own view of emotions, while the seconds fails if one accepts the thick characterization of appearance emotionalism I offer in the first half of the paper.



  Read the full text:Appearance Emotionalism in Music: Analysis and Criticism

版权所有 © 北京大学艺术学院 地址:土豪赢三张旧版海淀区颐和园路5号北京大学红六楼 邮编: 100871 电话: 010-62751905

sitemap.xml